CONTACT: brandon[at]fangandfeathermgmt.com
Wine & Warpaint navigates an interior world decimated by loss, deconstruction, and depression while maintaining a paradoxical commitment to hope and optimism. Their signature blend of big hooks, punk edge, and wall-of-sound energy led to them being recognized as winners of the Player Plus Studio Sessions: Powered by Fender, where they were selected by a celebrity panel of music legends and executives as one of the 26 best unsigned bands in the world. A one-person-band in the studio, multi-instrumentalist Brandon O’Neill is joined live by Abbey Ballentine, Taylor Bess, Colleen Christman, and Hannah Haupt to bring their cathartic live show to cities across the country through tireless DIY touring.
Emerging from the vibrant scene of Richmond, Virginia, Wine & Warpaint merges indie rock, pop punk, and post-hardcore into a compelling musical narrative. Led by Brandon O’Neill, the band channels existential angst and defiant hope into their music, creating an intense dialogue between personal experience and collective resonance.
Their journey began with O’Neill’s vision of melding introspection with musical rebellion. Alongside Abbey Ballentine, Taylor Bess, Colleen Christman, and Hannah Haupt, the band crafted a distinctive sound that propelled them from local stages to broader acclaim through tireless DIY touring. Their early works, including the introspective *HOMELESS* EP produced by Matt Goldman and a self-produced cover album, showcased their eclectic influences and musical versatility.
The band’s growth continued with the *Half to Life* EP, deepening their exploration of emotional landscapes. Their debut album, Disassociate, marks a high point in their evolution, described as a rhapsodic blend of sharp hooks and robust narratives. From the confrontational “The View’s So Good With Your Head in the Ground” to the genre-bending finale “Synchrony,” the album showcases their ability to fuse raw energy with intricate storytelling.
Wine & Warpaint’s music doesn’t just fit neatly into genre boxes but thrives in the spaces between, earning them a place as a standout act in the global unsigned band scene, highlighted by their win in the Player Plus Studio Sessions powered by Fender. Their sound acts as both a refuge and a challenge, inviting listeners to find solace in shared struggles and triumphs.
Wine & Warpaint crafts a sonorous alchemy of emotion and edge, echoing the complexities of the human spirit through a mosaic of raw soundscapes and lyrical depth. They remain committed to authentic expression and sonic exploration, making their discography (and their community) a beacon for those seeking depth and connection in the modern rock landscape.
“Perhaps everything terrible is in its deepest being something helpless that wants our love.“
—Rainer Maria Rilke, From Letters to a Young Poet
This insight from Rilke might as well be a guiding ethos for Wine & Warpaint, a band that transforms the raw materials of human frailty into compelling musical narratives. Emerging from Richmond, Virginia’s fertile music scene, Wine & Warpaint brandishes an eclectic fusion of indie rock, pop punk, and post-hardcore, positioning themselves at the confluence of nostalgia and innovation. Spearheaded by the introspective Brandon O’Neill, the band’s ethos is a tapestry woven with threads of existential angst and defiant hope, casting an earnest dialogue between the individual and the collective psyche.
Wine & Warpaint’s musical voyage began in the artistic quarters of Richmond, Virginia, where multi-instrumentalist and songwriter Brandon O’Neill’s vision for a sound steeped in introspection and rebellion first took shape. Gathering a diverse group of musicians, including Abbey Ballentine, Taylor Bess, Colleen Christman, and Hannah Haupt, the band fused their eclectic influences into a distinctive blend of indie rock, pop punk, and post-hardcore.
This lineup, solidified over shared aspirations and a series of dynamic EP releases, grew organically as they refined their craft through local gigs and self-produced recordings. With each step, Wine & Warpaint carved out a niche in the music scene, their journey marked by a deepening of artistic expression and a commitment to exploring the boundaries of their genre, while expanding their audience beyond Richmond through tireless DIY touring.
Wine & Warpaint’s discography traces a bold arc through the modern music landscape, marked by an adventurous exploration of genre and emotion. Their initial forays into the recording world began with the introspective *HOMELESS* EP, produced by Matt Goldman—an effort that laid the groundwork for their signature blend of poignancy and power. This was followed by a self-produced 9-song cover album that showcased their versatility and deep musical literacy, reinterpreting influences while highlighting their adeptness at transformation and reinterpretation.
The narrative thread continued with their sophomore EP, *Half to Life*, which delved deeper into their evolving sound. This release struck a chord for its raw, emotionally charged lyricism paired with robust musical compositions that resonated well beyond their initial fan base. Critics noted the EP’s ability to weave dense emotional threads with accessible pop punk energy, creating a compelling dialogue between listener and musician.
The culmination of their early years comes now with their debut album, Disassociate. This ambitious project is described as a “rhapsodic introduction” to Wine & Warpaint’s full expressive range, blending big hooks, punk edge, and a wall of sound that envelops the listener in a complex, sonic narrative. The album kicks off with the aggressive “The View’s So Good With Your Head in the Ground,” setting a tone of confrontation and contemplation that pervades the record. Tracks like “Bad Nihilist” and “Bring Me Back” showcase their ability to balance straight-up rock energy with modern emo stylings, while the orchestral finisher “Synchrony” confirms their penchant for dramatic, genre-bending conclusions.
Wine & Warpaint’s discography not only charts their growth as artists but also as storytellers, with each release acting as a chapter in a larger narrative of personal and communal evolution. Their work is both a sanctuary and a battleground, a place where listeners can find solace in shared struggles and triumphs—a defining feature that makes their music resonate so powerfully in the contemporary rock scene.
Wine & Warpaint’s sound explores the liminal spaces between genres. This approach has garnered them accolades, notably as a standout in the global unsigned band scene, spotlighted through their victory in the Player Plus Studio Sessions powered by Fender. Their music resonates as both a sanctuary and a battleground, reflecting the dual nature of their themes—each track a study in the balance of internal strife and external harmony.
As they continue to chart their course, Wine & Warpaint’s narrative is one of continuous transformation, driven by a commitment to authenticity and sonic exploration. Their work is a clarion call to those who find solace in music’s ability to transcend life’s cacophonies, offering a soundtrack to personal revolutions and communal reckonings alike.
In an era where music often tiptoes around genuine expression, Wine & Warpaint stands as a testament to the power of raw, unfiltered artistry. Their journey is more than a series of songs; it’s an ongoing dialogue with the zeitgeist, a beacon for the weary, and a herald of the potency embedded in emotive, modern rock.
Player Plus Studio Sessions: Powered by Fender
Selected by a celebrity panel of music legends and executives
as one of the 26 best unsigned bands in the world
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Won free studio time at Flux Studios in NYC, a $500 mixing credit, a free Player Plus Precision Bass in Cosmic Jade, and a consultation with Ari Herstand, author of How to Make It in the New Music Business
Press coverage: MMR Magazine
Additional write ups on the program: Fender / Music Radar / Guitar.com / Mixdown / Dublin Live / Notion / Guitar World / Dummy / Audio Media International / etc.
HALF TO LIFE
Directed by Caleb Gritsko
SPITEFULLY ALIVE
Directed by Brandon O’Neill
LIVE AT THE CANAL CLUB
45 Minute Set
Individual song clips below
HALF TO LIFE
Lead single
ANYTHING AT ALL
Stripped back, reflective
TAKE ME HOME (PHIL COLLINS COVER)
Cover song
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CONTACT: brandon[at]wineandwarpaintband.com